Of Fibre and
Loom: The Indian Tradition
By- Lotika
Varadarajan and Krishna Amin-Patel
Published
in association with National Institute of Design, Ahmedabad
Of Fibre and Loom: The Indian Tradition, is the product
of collaborative work between a designer-weaver and an ethno-historian. It is
through this joint research that the full range and depth of the textile
tradition of the subcontinent is brought to view. Their mastery over the tools
of technology and the discipline of ethno-history has created a synergy, which
has
allowed the development of a unique focus in the investigations highlighting little known facts relating to the shaping of Indian sensibility.
allowed the development of a unique focus in the investigations highlighting little known facts relating to the shaping of Indian sensibility.
The
fibres covered include all varieties of silk, cotton in different counts, bast
fibres such as ramie and jute as also animal fibres such as goat hair, camel
hair and wool. The book begins with an exploration of the different kinds of
looms, weaving mechanisms, the technology and processes involved before and
after weaving, found in India. It then proceeds to trace the gradual
refinements effected in loom technology, emphasizing the changes that were
brought about in the weaves, weave structure and pattern.
The
book also provides a detailed analysis of the products of the loom against a
historical background of the various types of clothing and clothing accessories
worn by men and women. The work closely knits the connections between loom
technology, the variety of fibres used, the end product and the end user. This
approach is bound to excite the interest both of ethnographers as well as
textile historians. The loom is analysed as a croos-cultural artefact.
This
necessarily leads to an examination of the correlations in the interfacings between
ecology, language and culture. From the wool weaving traditions of Kashmir, Kullu and Kinnaur to the Deccan horizons of Kanchipuram silks and from the Paithani repertoire to the Jamdani woven on the Yongkham loom of Manipur, this book is encyclopaedic in range. Illustrated with over 300 original photographs and line drawings of the loom and products, the book constitues a unique study and is the only one of its kind so far published. Apart from its appeal to academia, the work will also prove useful to the trade, drawing the attention of the exportr no less than the collector.
ecology, language and culture. From the wool weaving traditions of Kashmir, Kullu and Kinnaur to the Deccan horizons of Kanchipuram silks and from the Paithani repertoire to the Jamdani woven on the Yongkham loom of Manipur, this book is encyclopaedic in range. Illustrated with over 300 original photographs and line drawings of the loom and products, the book constitues a unique study and is the only one of its kind so far published. Apart from its appeal to academia, the work will also prove useful to the trade, drawing the attention of the exportr no less than the collector.
Lotika
Varadarajan
is an art and cultural historian and author of international repute with a
varied background, all of which finds expression in her current work. Having
spent her early years imbibing tribal culture in Assam, she pursued her higher
studies at the Universities of Delhi and Bombay, Chulalongkorn University,
Bangkok and Newnham College, University of Cambridge, UK. She has been
associated with the National Institute of Design (NID), Ahmedabad and National
Institute of Science Technolog and Development Studies (NISTADS), New Delhi.
Widely travelled both within the country and outside, she has
number of articles and books to her credit.
number of articles and books to her credit.
Design
Consultant and design educator, Krishna Amin-Patel is an alumnus of the
National Institute of Design (NID), Ahmedabad, India. Having specialised in
Textile Design, she joined and served as a full-time faculty member at NID from
1980-1999. As a design consultant, she has an enviable record of having been a
member of creative design teams, led them and worked in areas of designing for
the Indian market as well as for export. Currently residing in the USA, she has
completed her Master of Fine Arts from the Arizona State University in 2002.
She has in addition been a member of many important committees and visiting
faculty at the Nottingham Polytechnic, UK, at Rhode Island School of Design,
Penland School of Crafts, USA.
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